Page 74 - AVN September 2019

DOUBLE
POV
Director Bree Mills digs
deep into a couple’s
‘Perspective’
The hilltop location house stands in
a once-desolate area where silent film
star William S. Hart retired, and it’s very
isolated, up a narrow private road with
driveways peeling off like tributaries.
Alone atop its hill, it’s protected by a steel
gate and fortified fence. Inside, the house
is bright and airy, with large windows
letting in natural light and providing views
of the valley below. An infinity pool edges
the high hedge that borders the driveway,
but it won’t be seen here: “It’s too nice for
our characters” Angela White says.
“One of the biggest challenges comes
down to just location,” writer/director Bree
Mills says, looking at the surroundings.
“Breaking from the ‘normal’ 10 porn
shoot houses, trying to have something
that looks different.” Although shooting
so remotely has been a challenge, the
director says, “It’ll give a unique look to the movie because we’ll never
re-use the location.”
“Perspective is an interesting project for me,” Mills continues. “It’s
been in the back of my mind for a couple of years. It’s about the impact
of emotion, and how emotions affect and impact your reactions and
your actions, and the weight that emotions can play on somebody. The
story involves the most complicated relationship dynamics that people
encounter: romantic relationships. Serious romantic relationships. I
had a situation where I was in a relationship and I discovered that the
person I was with was having an affair. I discovered it haphazardly,
≠ STORY: TOD HUNTER
≠ PHOTOGRAPHY: ADULTTIME.COM
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