Page 38 - AVN June 2013

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ON THE SET | By Tod Hunter
on a porn studio set. She just teetered in
Death and Ejaculation Coming on strong for Septo’s ‘Leaving Las Vegas’ homage
A
nikka Albrite and Tommy Pistol sit in a faux hotel
room wearing red high-high-really-high heels and a
tight red-and-black animal-print sheath that is
nearly transparent under the bright studio
lighting, revealing the phantom outline of her
tiny thong underwear. Scripts in hand, they
run lines as people walk around, adjusting lights and check-
ing camera angles and light-stand shadows before director
Jordan Septo walks in and stages the scene. It’s the middle of
shooting Septo’s OMG ... It’s the Leaving Las Vegas XXX
Parody, for Septo Productions, which most recently released
a parody of Dirty Dancing in May.
Septo brings the actors into the moment he wants to cap-
ture: “Your pimp’s been killed, and you want to get really
close to him.”
“Yeah, and I don’t want to talk about my pimp ... ”
Albrite muses.
“This is the first time they’ve been close to each other,”
Septo points out to the actors, as they work out the staging.
Pistol is to flop back on the bed, and then sit up into frame
as the two camera ops grab the shots Septo needs as he keeps
a watch on his twin monitors. After the characters make
their agreement that they will be together but she will never
ask him to stop drinking, the next scene on the schedule is
Pistol’s death in Albrite’s arms. Pistol, shivering, whimpering,
cowers under a sheet as a naked Albrite whispers to him,
comforting him in his last moments. The scene is grim and
poignant, as the temporary confederacy between the two
ends irrevocably. When Septo calls “Cut,” the usual post-
scene hubbub is delayed momentarily as people stand silent-
ly, reflecting the solemnity of what just happened. After the
notices that the bed has moved a good six inches away from
the wall and the techs call a quick break and secure the bed
legs with sandbags.
She grinds on top of him, doing all the work as he groans,
“Oh my gawd” as if it’s a revelation. Then he pushes her
back so he can lean in and eat her. She pulls her legs back,
for the real pop. They start the final part of the scene with
her sucking him before moving on to the final position,
building, picking up the pace as he finally pops. Right after
his pop, Pistol almost laughs and chokes it back as they
make eye contact and kiss affectionately. Cut.
way back, making a V with her body as he tongues her. He
LIGHTS, CAMERA ...
stills (“Move your hip up a little, that’s it”) the actors stay in
position, oblivious as the lights are changed for the next
scene in the room.
Ironically, the next scene is a sex scene for Pistol and
Albrite. She runs into the room, wearing a revealing X-front
dress that her right breast keeps slipping out of. She asks
Pistol, “Are you OK?” and he responds with a wan smile,
saying triumphantly, “I didn’t have a drink all day. Look, you
make me so hard” as he lifts the sheet for her to see. Albrite
lets out an involuntary chuckle and Pistol, in character,
responds, “Don
’t laugh.” But it’s too late; she cracks up and
so does everybody else.
After a momentary conference with the camera ops (“You
do softcore, you do hardcore.”) Pistol and Albrite settle into
their scene. The mood in the studio is tense, as the camera
operators try not to disturb or intrude on the performers:
The possibility of breaking the mood and damaging the
scene is always present on a porn set, and even more so
when the performers are having sex in character.
The scene unfolds slowly, tentatively, as they open up to
each other. Pistol kisses Albrite, licks his way down to her
tits, then goes up to kiss her again. She works her mouth
down his body, teasing and kissing her way down to his
cock, maintaining eye contact all the while. The only sound
in the studio are the soft pops as her mouth comes off his
cock.
down to his cock, maintaining eye contact all the while.
She pulls up and straddles his now-hard cock, squealing as
he bucks up into her, rocking her hips as he thrusts. She
braces herself and leans to the right, and he gasps, “Oh
fuck!” at the sudden change of internal tension. Somebody
”She works her mouth down his body, teasing and kissing her way
The only sound in the studio are the soft pops as her
mouth comes off his cock.
licks and teases her to an (apparent) orgasm, and then turns
her on her side and takes her from behind, romantically
holding one of her hands while stroking her clit with his
other hand. He teasingly fucks her, going in slowly, then
pulling all the way out and going in slowly again, then
pumping hard and fast as she gasps her surprise/pleasure.
After a water break, Septo tells them to go for the fip.
They both overplay for the softcore fake pop before going
The techs hand Pistol and Albrite towels and they wipe
up, but then fall into each other’s arms and kiss, no longer in
character but not wanting the moment to end as the techs
move to an adjacent set to arrange the next scene.
The show must go on.
OMG ... It’s the Leaving Las Vegas XXX Parody, from Septo
Productions, will be released in mid-September. The title
will be distributed by Juicy Entertainment.
38 | AVN.com | 6.13