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ALLIE HAZE’S BEEN BLACKMALED
AAAA 1/2
Vivid Entertainment
Group
PulseDistribution.com
D Di ir re ec ct to or r: : Kimberly Kane
C Ca as st t: : Allie Haze, Nyomi Banxxx,
Skin Diamond, Dana DeArmond,
Kimberly Kane, Lexington
Steele, Prince Yahshua, Jon Jon,
Julius Ceazher, Mr. Marcus. 149
Min.
C Ca at te eg go or ry y: : Interracial
Kimberly Kane directs her
second Blackmaled title,
continuing to bring fresh energy
to the Vivid series. Allie Haze,
still capable of looking like a
wide-eyed innocent in her fourth
year in the industry, is an ideal
candidate for “blackmale.”
On an all-white bed, with
Haze is an ideal
”Still wide-eyed, Allie
candidate for
‘blackmale’
MOVIES
white curtains and white sun-
light streaming in, Haze gets
pummeled by slender, big-dicked
Jon Jon and Julius Ceazher. They
go at it like a double-piston
machine, one in her mouth and
one in her cunt, before pasting
first her ass and then her face.
Despite the nice visuals, it’s fairly
standard IR fare; the rest of the
vignettes are more inventive.
Kane prefaces each scene with
some footage showing on a
TV—some retro imagery, some
recognizable scenes from Vivid
movies. The TV screen plays a
major role in the second
vignette, in which Dana
DeArmond has Skin Diamond
tied up and gagged with duct
tape, her image projected on the bedside TV. “You’re mine now,” she says to the
struggling Diamond. “Let’s see a smile. Come on, princess. Look at yourself.
You
’
re on TV.” What follows is plenty of gagging, choking pussy teasing and
penetration with various objects, including an oversized black toy gun and a big
white strap-on.
The other scenes are just as action-packed. Haze, wearing a retro white sheath
dress, gets into an elevator with Nyomi Banxxx and Mr. Marcus. The tinkly
Muzak being piped in begins to distort as the elevator plummets out of control.
Banxxx says, “What would you do to make it stop?” “Anything,” Allie says.
Indeed, anything goes—and comes—n a fierce three-way that starts in the eleva-
tor but moves back into the office foyer to allow for more vigorous activity.
Director Kane goes in front of the camera for a quirky scene in which she and
Prince Yahshua are hoodie-wearing “Sex Bandits” who break into homes and
make the victims watch them fuck. When they graduate to anal, Kane barks at
their captor: “Are you taking notes?” In the end, they leave a load of DNA evi-
dence on a staircase landing.
The final scene also begins with a TV screen, as Haze
watches porn while playing with a black dildo. Ralph
Long is at the front door; she uses the clicker to change
the “channel” from white to black, nodding in approval
as Lexington Steele enters with roses. Haze gets all that
she wants and more in a bedroom bounce; she looks
gorgeous as he runs his dick over her clit and bush, and
then goes balls deep, making her squeal. By the end
they both look like they’re in ecstasy. Steele pulls out to
aim at her mouth but the splooge flies everywhere in a
celebratory burst.
—Iris Blocks
Male Call Allie Haze takes the measure of
Lexington Steele. He won’t come up short.
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