Page 71 - AVN November 2025

“When I say ‘action’ she just comes
alive and that’s a quality I look for
when I decide who to shoot a whole
showcase with.”
—Jonni Darkko
She continues, “So then when this showcase came, I was like now I can be somehow in the
same running lane or even in consideration of the ones before me who experienced these
types of scenes and sexual experiences. And now I know like what it’s like. And it’s very surreal
because if I talked to my younger self, my younger self would’ve been like that’s crazy, I don’t
think I can do that. Then I’m looking at my older self and I’m like, yeah you fucking did that and
it was amazing.
“In a silly way I feel lucky to experience those things because I think it’s something that a lot
of people might never experience in their entire life. And it’s part of my job.”
The Chicago native Darkko, who is widely regarded as a master of the star showcase genre,
tells AVN that he and Amour left nothing to chance as they planned the look and feel of the
production. For example, they made creative use of her favorite color purple in the stylish
tease sequences—shot on a separate day at a studio in Burbank—as Darkko utilized massive
LED screens, EDM-style visual effects and his own original beats. Not to mention he chose
three different purple-themed lingerie sets for Amour—and she bought special earrings for the
gangbang.
“We had big conversations based on what the content was going to be,” Darkko says. “It
couldn’t be just boy/girl anals. We knew we had to take it to another level and I think we did a
good job with that.
“She wanted to go the extra mile. She wanted to do a gangbang, which she had never done.
And she was entertaining double anal even though she said, ‘I don’t know if I can do it.’ But
I’ve done enough of these to know and I told her, ‘You can do it, it’s more on the guys.”
Darkko, who also directed Amour in a DP for his no-holes-barred Double Penetration Fixation
5, adds, “She was killing it. When I say ‘action’ she just comes alive and that’s a quality I look
for when I decide who to shoot a whole showcase with. She really understands that when you’re
rolling, it’s on. That’s something Chloe is very good at. When the camera is rolling, she’s very
cognizant of where it’s at.
“I don’t have to sit there and keep prodding someone. She’s great at understanding that and
that’s what makes her amazing.”
Amour would be the first to admit that it took lots of practice for her to thrive in those kinds of
high-stakes environments on set.
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