Page 63 - AVN Magazine March 2024

“The goal is to find out who all the best performers are and then make a real movie.”
—Chef
“We have an idea of what it is, but she’s got to get into character and find it,” Chef says. “So she’s always doing some fucked-up, crazy shit.
“That’s the mentality behind everything. She’s a small package but with big attitude.”
Not only does the cast and crew not mind the civilians in the shots, they want the city to be alive when they’re shooting.
“We try and pick nights where there’s people but not on a Saturday night where there’s too many people,” Chef continues. “But it’s important that you see cars and stuff in the background because if not any idiot can just go around the corner at 3 a.m. where there’s no cars and try and shoot a street scene.
“It’s important that people are moving and cars are going by in the street scene so you know it’s real.”
Sybil tells me she’s used to playing Daddy in public—and being seen acting like a pimp in front of strangers is the least of her worries.
“I’m actually more nervous because it’s hard to speak for me in English,” she confesses. “Because of people, I don’t care. They’re just walking on the street, they’re smiling. They’re laughing at what we are doing, which is fine.”
Stepbrother Chad, who is driving the Lincoln, taking stills and doing lighting tonight among other things, met Chef on the set of an AT&T phone commercial in 2015.
“I got a cold call to assist on it,” Chad recalls. “He was assistant director on the commercial and he was showing videos of his Snapchat and I was like, ‘What the fuck is that?’ He was like, ‘It’s just something I do.’ We were on a real professional set and he’s got some girl spinning around in a shower [on his phone].
“And I was like, ‘If you ever need help, you let me know.’ ... He’s like, ‘Let me get your number, I’ll call you.’ I’m like, yeah whatever. Then one week goes by and he goes, ‘You working or you playing?’ I’m like, fuck, I was so nervous. Like oh shit, I think it’s fucking happening.”
Both Sybil and Chef say the plan is to make a full-length feature built around Daddy Sybil.
“Every shoot is like training,” she tells me. “We always want to be part of something bigger. I want to make a movie with my character Sybil Raw and tell a cool story like a mainstream film like Pulp Fiction, except add real sex to it.”
Chef adds, “The goal is to find out who all the best performers are and then make a real movie.”
As the evening winds down after some pictures with the python draped around Sybil in the shower, she tells me these crazy moments are the reason they keep going.
“It’s always like this,” Sybil says with a smile. “We are trying. It’s not because we have to do this, it’s because we want to do this.”
SYBIL | 3.24 | AVN.COM 63