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“Our goal with this project is, ‘How do we honor these performers who have inspired us? How do we give back?’”
Along with gifting them with lingerie from Honey Birdette, Mills is allowing each “Muse” the opportunity to choose not only their partner for each scene, but also the theme.
Venus, for example, picked a motorcycle concept for her tango with Brooklyn Gray.
Rose, who worked with April Olsen, selected a 1800s, Marie Antoinette motif based loosely on the television series “Bridgerton.” From the costumes to the set, Kay wanted her scene with Wilde to feature lots of pink.
“Most of the time,” Kay says, “I’m in gym clothes. I usually don’t wear makeup and I never get my hair done. But inside, I feel very girly and pink, like a cupcake. I wanted to show how I feel through my scene.”
Kay is appreciative to Mills for giving her that opportunity. She labeled the experience “surreal.” Rose called Mills “a trailblazer” and Venus thanked Mills for being one of the trans community’s biggest advocates.
“We don’t get recognition like this from other studios; we don’t get fun stuff like this,” Venus said. “Bree doesn’t follow the status quo. She’s doing what other directors aren’t. Everyone should learn from her. Everyone should pay attention.”
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