Page 74 - AVN November 2019

PSYCHO DRAMA
Whitney Wright introduces us to Adelaide
The shoot house is on a busy street. Newly painted
white walls, wide hallways leading to decorated
bedrooms. Nobody lives here, a point underscored by
the large Klieg light on a five-foot stand by the white
couch in the living room.
Whitney Wright is directing Adelaide, a suspense
thriller based on her own 21-page script that will be
released on MissaX.com. “I knew from working with
Whitney as an actor that she is incredibly creative, and
when she expressed an interest in writing and directing
for us, I was thrilled,” Missa X told AVN. “Whitney Wright
does it all: she writes, she casts the actors for her roles,
she hires her own production team, directs, and sends
the end product to our editing team in Wisconsin. I enjoy
working with Whitney because she writes what’s in her
heart, but also thinks about the customers and how she
can satisfy them. She is in constant communication with
MissaX and AllHerLuv customers on the sites.”
On this last day of shooting, Wright is all business: no
makeup, in black shorts and a black T-shirt with a picture
of Anna Nicole Smith with her octogenarian husband in
“It’s a little dark. I’m not gonna lie,
it’s intense. I’m excited about how it’s
coming together. ”
front of a Christmas tree with a large caption: BLESSED.
Wright busies herself arranging paraphernalia on the
wall of Adelaide’s bedroom, creating an assemblage
that will be suddenly revealed as a surprise. Asked
about the assemblage, Wright details the set-up to the
final, climactic scene, effortlessly recounting the entire
convoluted plot.
Missa X praises her new director: “Whitney loves to
write edgy films, like Adelaide for MissaX.com, but she
can write a heartwarming romance full of sexual tension
and comedy just as well, as she did in Forever Young
for AllHerLuv.com. She studies cinema techniques,
plays with light, and will stay on set for hours until she
gets the perfect shots for our taboo stories. I can’t tell
you enough how much we enjoy working with her.”
Wright proudly describes a wordless sequence where
Adelaide and another character parallel each other’s
actions in different places. “I got it from Christopher
Nolan’s Inception,” Wright says. “It’s a little dark. I’m
not gonna lie, it’s intense. I’m excited about how it’s
coming together.”
≠ STORY: TOD HUNTER
≠ PHOTOGRAPHY: MISSAX.COM
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