Page 63 - AVN November 2019

makes her way through a sex club at
the end of the leash held by Ward.
“She snapped and she’s just fucking
her way through everything and
there’s no break from one thing to the
next,” Kross relates.
During her rampage, White participates
in a reverse gangbang and a
pegging scene with Joanna Angel and
Wolf Hudson. Throughout, she keeps
seeing Aubrey Kate. “She’s making
her way through these bodies, trying
to find her. And today she finds her,
and that’s what we’re shooting. We’ve
got an encounter with Aubrey, Pierce
Paris, Dante and Angela where it just
turns into this quick and dirty thing.
And then Maitland calls her away.”
Kross explains that, though it’s
brief, the scene signals inclusion
and openness. She can’t recall
another feature movie from a
mainstream adult studio that includes
“bisexual, transsexual, pegging,
gay interactions,” and she credits
White with “the particulars of these
encounters. … Of course, it would
be impossible to represent the range
of sexual behavior available to us,
but we’re trying to get some broad
strokes, so that we’re not representing
heterosexual activity as the only thing
you’re really going to go toward if
nothing stops you.”
A love seat, lamp and armchair are
set up to create the space where
White finally connects with Kate.
A translucent curtain hangs in the
background, and there are shadowy
figures behind it. Someone is getting
flogged. Kross surveys the setup
through the monitor with satisfaction.
Colle takes his place on the couch
next to Kate, and they begin touching.
Colle is shirtless, revealing the
distinctive circular tattoo on his left
pec. Paris is in the armchair, dressed
in a suit and looking somewhat aloof.
White comes upon this tableau and
leaps at the chance to touch the
object of her desire. Colle watches as
White blows Kate.
Through the monitor, the scene
is intimate, sensual. Colle and Paris
engage with each other while White
focuses on Kate. But the tryst is soon
broken up by Ward. Kross tells White,
“You’re regretful you have to leave,
but her pull is always the strongest.”
White checks over the playback on
the monitor: “Aubrey, Dante—come
have a look!” They gather around to
absorb the scene.
Once it’s all edited together, this
scene and other moments involving
extras Aria Lee, Verronica Kirei, Katy
Jayne, Jason Moody and Tommy
Wood will create a rhythm for White’s
sexual rampage. Kross is loving the
process. “If I could do five-minute sex
scenes all the time, I’d be so happy.”
White and Ward talk about what’s
next. In a couple of days, Ward plans
to shoot a boy/girl scene with Ferrara,
who plays White’s husband. But for
the rest of today, it will be mostly
B-roll shot on the streets of downtown
Los Angeles.
And later tonight comes a scene
involving Angela’s younger self,
when she almost let herself go with
her boyfriend, played by Wood. The
setup will involve bicycles. White
muses, “I haven’t ridden a bike in so
long. But they say it’s just like riding
a cock.”
Ba-dum ching … cue laughter.
Find the movie on Deeper.com as
well as on VOD and DVD (released
by Vixen Media Group/Pulse).
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