Page 58 - AVN November 2017

FEATURE
FEATURE | By Dan Miller
pleasure; you can hear his moans. … I think that was
interesting because so many people have marketed
him as a monster—“monster cock!” Clearly, he does
have a monster cock but the person behind that cock
is very sensitive, very sensual. He’s a lover.
Let’s talk about your d.p. with Mick Blue and
Markus Dupree. What do you think makes that
duo one of the best d.p. teams going right
now?
They are on the same page. It’s all teamwork
for them. So they are definitely a team. There’s no
kind of jealously; there’s no trying to hog the girl or
move them in a different way. Because there’s been
scenes where—and I’m not just talking about group
scenes with guys—where you’re doing one thing and
someone will drag you off somewhere else. It’s like
there’s a competitiveness to it. All they have to do is
look at each other and they know where they’re going
to transition next. So being in a d.p. with them is an
experience; you’re along for a ride.
They know what they’re going to do beforehand;
they know how they’re going to do it. They know
at what point. They look at each other and then
suddenly you transition into a whole other position
just seamlessly. There are none of those awkward
moments like oh my knee’s in the wrong place. They
just put you where they want you and it’s quite
amazing to be on that ride.
There are a lot of great teams… but for me they’re
a standout when it comes to d.p.’s. There’s no
competitiveness, their being on the same page, the
fact that they get into a groove with each other. So
they do the thrusting together and then they do this
oppositional thrusting, which is just incredible.
What about your second gangbang in the
movie—with Mick, Markus, Toni Ribas, John
Strong and Xander Corvus?
It was a really fun experience and a very sexually
amazing experience. And we did double anal again,
double vag and we did a lot of triple penetration. I did
do triple penetration in Angela 2 but I did a lot more
in Angela 3. And a lot more of the double anal and
one in the pussy, whereas I think Angela 2 was a lot
of double vag with one in the butt. It’s a very intense,
filled feeling when you have that much in your butt
and then obviously when the cock comes in your
pussy you can kind of feel it rubbing together. I can’t
really think of another sensation that would best
compare to that. It’s almost like a sexual feat. And it’s
almost like you feel proud that you can do this thing.
How did you get into the doubles and triples,
was that something that was just organic?
Well I’ve had more experience with the doubles
now so I knew I could do that. Even though I had
done triples before you never know if your body’s
going to accept that on the day. And also it depends
on the size of the cocks and the length of the cocks
and how the guys are feeling.
So when I directed that I told them I want to
get a lot of great d.p. action and then doubles and
right at the end we’ll try for triples. Because if you
try for something in a scene that doesn’t work it
can sometimes affect people’s morale. It can be
frustrating if you try something and you keep trying
and people are slipping out. … So I was like, “Let’s
do a great scene. Let’s get all the footage we need and
58 | AVN.com | 11.17
then we’ll try for the triples and if doesn’t work, it’s OK. I already have the scene; we already had fun. It won’t
affect the morale we just won’t include and if it works, great.”
And that’s what we did. It’s a lot more work for the guys in the triples because really my job is to stay still. I
can’t do anything. I can’t push back on the cock or twerk on the cock or even fuck them back because if I move
at all I could have them slip out. So really my job in that instance is to get into position and stay still. Sometimes
I’m like “Hold me down, hold me down on the dick, make me take it!” It’s a physical challenge that I want.
Honestly they’re really getting into positions that are quite amazing, quite athletic. One on top of the other
and coming in from the side and keeping their dicks hard on top of all this. It’s really amazing. It’s a testament to
how great they are as performers that they can do acts like that.
Even if they were getting into those positions without a boner it would be hard … I think you have to be into
gangbangs to stay hard in a gangbang. Otherwise they wouldn’t be able to mentally maintain an erection. When
they kind of do the monkey and they come over the top and they’re fucking the ass down like that and having to
push their cock down their quads must be on fire.
I FEEL LIKE I KNOW THAT I CAN UNLOCK CERTAIN
PARTS OF MYSELF EMOTIONALLY DURING SCENES
THAT I DIDN’T THINK WAS POSSIBLE. … I THINK
THAT IT’S RARE THAT YOU CAN CREATE A MOVIE
THAT MAKES YOU FEEL SO VULNERABLE BUT AT
THE SAME TIME SO EMPOWERED.
—ANGELA WHITE
When you reflect on the rest of your year, what stands out?
It’s gone very quickly because I’ve been working so much. It also does feel significant because I’ve been able
to achieve so much. I’ve been really overwhelmed and grateful that I’ve been welcomed with open arms and so
many amazing companies have wanted to shoot me.
I had the honor of being the June Vixen Angel and also had the honor of being the Girlsway Girl of the Month
for April. And hosting the XRCO Awards [in April] was a huge honor and being asked to host AVN was just
incredible. I still can’t believe that’s real. And I’ve shot lots of amazing content. In the last 12 months I’ve shot
183 scenes—40 anal scenes. I’ve done seven double-penetration scenes. I’ve done two gangbangs and I’ve had
five showcase movies.
I’ve had the Titwoman through Elegant Angel and I’ve had four of my own showcases with Angela Loves Women
3, Angela Loves Threesomes 2, Angela Loves Anal and now Angela 3. And then I’ve just been part of a lot of really cool
projects. Some of the things are really new to me like doing a lot of the feature work.
And I’m in Vampires, Girlsway’s big feature that’s about to come out. That was really cool to be a part of.
Working for [Greg Lansky] in any capacity is always amazing; his sets are fantastic. All of the shoots I’ve done
for Lansky and the amazing Vixen Angel shoot. And then working for directors that I’ve really looked up to and
I’ve really admired like John Stagliano—that was amazing to shoot with him twice this year. He’s really just a
legend in the industry and he doesn’t shoot features that often, so to be part of the feature Psychotic Behavior was
really amazing. And then I also did the Anal & Oral Antics. Which was great and after that scene that we shot
which was over two hours long—just a solo scene—one of my proudest moments was when he told me that I
was a true pervert. Coming from John Stagliano, who I think is one of the most perverted people in the industry,
and I mean that in a complimentary way. I was like that makes me feel amazing. I’m going to wear that as a
badge of honor. It’s been a massive year.
How did updating your honors thesis in Australia become a chapter in a college textbook from
Routledge?
It’s a university textbook for undergraduate and master’s students. My chapter is based upon the research that
I conducted for my thesis. It’s about the porn industry, but it’s qualitative research on the female performers’
experiences in the Australian pornography industry. This isn’t based on my own experiences, though. It’s based
on the interviews and narratives I did with other female performers. … I want to be doing research again in the
future and that’s where I want to be doing it.
This was supposed to be published last year in August. I’m really happy for it finally to be out and it’s really
my first academic piece that’s been published. That’s really exciting. And it’s exciting as well because a lot of
fans have been asking me, “Can I read your research?” Because when I have mentioned it in interviews I haven’t
been able to show anyone because I knew it was going to be published and obviously they don’t want you
putting it online before it’s in the book.
It’s a little theory dense. … But I think people will find it interesting. It really touches on the ways that
performing in pornography can be transformative for the people involved. … But in fact it can be much more
than that to many people. It can be much more than that to the viewers; it can change their lives. It can make
them feel validated that their sexuality is something they can be proud of and they shouldn’t feel ashamed of. It
can be validating for people who haven’t seen their sexual kink or their sexual proclivities represented on film or
in the media. And for them to see that on film and see other people doing that makes them feel that their desires
are not wrong.