Page 99 - AVN March 2016

REVIEWS
EDITOR’S CHOICE EDITOR’S CHOICE EDITOR’S CHOICE
Joe Gage Sex Files 19
DRAGON MEDIA
Director: Joe Gage & Bryan Slater Cast: Rocco Steele, Bryan Slater,
Max Sargent, Trevor Knight, Leo Sweetwood, Hans Berlin, Tommy
Deluca, Andrew Fitch.
Category: Dad/Son, Uniforms, Vignettes
Rating: AAAA 1/2
We dare you to make it past the first scene
without blowing your load. Bryan Slater plays a
therapist to officer Rocco Steele, who has a fixation
on dick. “I’d feel more at ease if you’d take yours
out,” he tells the doc. Resistant at first, Slater
suddenly becomes transfixed when he finally lays
eyes on Steele’s monster, and the tension builds to
Rocco Steele’s Urban Legend
DRAGON MEDIA
Director: Rocco Steele Cast: Rocco Steele, Hugh Hunter, Dale Cooper,
Bryan Slater, Brenner Bolton, JR Bronson
Category: Dad/Son, Outdoors
Rating: AAAA 1/2
Move over, Bigfoot. There’s a bigger beast lurking
the great outdoors—especially if you’re a straight
man camping with your bros (just call him Bigdick?).
Legend has it that lurking in the woods is a man
with a 10-inch cock. “He comes in the middle of the
night and sniffs out the straight guys, and he fucks
the shit out of them!” Rocco Steele directs himself as
a gay Jason Voorhees, only instead of a machete he
Scandal in the Vatican 2: The Swiss Guard
BELAMI/LUKAS RIDGESTON
Director: Luke Hamill Cast: Joel Birkin, Claude Sorel, Gino Mosca, Kev-
in Warhol, Marcel Gassion, Jean-Daniel, Zac De Haan, Andrei Karenin,
Hoyt Kogan, Manuel Rios
Category: European, Taboo Relations, Uncut, Uniforms
Rating: AAAAA
Four years after tackling the Catholic Church
scandals, BelAmi is at it again in this sequel—also
based on some real shenanigans involving priests
and their guards. After reading about more current
scandals, Kevin Warhol enlists the help of pals
Claude Sorel and Gino Mosca (who has impeccable
English to accompany his stunning looks) to head to
almost unbearable levels. The two men stare at each
other’s boners, their faces inching ever so close—the
danger of a kiss ready to erupt, but not quite getting
there. It’s wonderful torture, and Slater plays his
reactions perfectly—he’s almost silent the rest of
the way, utterly under Steele’s spell. Slater finally
submits, and after the two suck each other’s slabs,
he moans as he sits down on the top.
Slater guest directs the following segment, when
two actors—Max Sargent, who plays the onscreen
dad to “son” Leo Sweetwood—work out the tension
between scenes. Like Gage, Slater creates wonderful
buildup. Two sequences shine: Sweetwood on his
knees, savoring the look of Sargent’s thick cock
before he engulfs it; and Sargent slowing warming
up the bottom’s hole with his hands before fucking
him, Sweetwood stroking his own big cock. Hung
Trevor Knight then stuffs Tommy DeLuca’s holes
before joining Sargent and park ranger Andrew Fitch
in gang banging Hans Berlin.
— Brady Jansen
stalks and attacks campers with his huge cock. It’s a
brilliant idea for a movie, and it’s clear everyone here
is having a blast (even the thrilling music makes us
all believe in the tension).
Hugh Hunter is the first victim, awoken in his
tent as Steele is about to burst out of the tent in his
shorts (“Fuck!” whispers Hunter as the slab gets
released in his face). He opens wide to suck, them
mounts it like a champ—his own big boner bouncing
back and forth as he rides. Dale Cooper fucks
Brenner Bolton in the woods as Steele watches, then
the entire cast gets naked as Steele shows up and
surprises them. Bolton has great energy as he feasts
on Steele, then as he gets pounded by Bryan Slater
and Hunter; while Cooper and JR Bronson offer their
holes for Steele’s taking. Can we please get a sequel,
Rocco?!
— Brady Jansen
Italy and try and tempt members of the Swiss Guard.
The film features some stunning locations, no
surprise considering that famed director Lucas Kazan
served as location manager.
The film is built around priest-in-training Joel
Birkin, who opens the action with a solo in bed—a
cross hanging over him on the wall, a picture of the
Pope pointing at him from his bedside table. And
in case you didn’t know, the dude has a mammoth
cock—simply jaw dropping. Warhol soon gets a crack
at it, and he clearly isn’t acting when he gets his
first look. The hung stud then has Mosca and Sorel
pleasing him, the two offering their holes; while he
later gets his piece sucked by—and then fucks—
guard Zac De Haan and Monsignor Jean-Daniel.
Mosca also flip fucks gardener Manuel Rios. The
finale has Warhol and Sorel getting their wish come
true with guards Marcel Gassion and Hoyt Kogan.
Facials abound everywhere, and this eight-scene epic
is sure to be a smash.
— Brady Jansen
Daddy’s Big Boy 2
ICON MALE
Director: Nica Noelle Cast: Adam Russo, Nick Capra, Wolf Hudson, Matt Stevens, Sean
Cross, Hunter Page, Brad Kalvo, Kory Houston, Tayveon Martin
Category: Dad/Son, Taboo Relations, Vignettes
Rating: AAA 1/2
Four tales of generation gap lust start with a bang. Adam Russo
plays a realtor who looks down upon prospective buyer Wolf
Hudson: “You look like you just got out of county jail.” Hudson
turns the tables, giving Russo a verbal beat down: “There’s
something about your attitude that makes me want to take you
down a notch….get on your knees. Put it in your mouth.” The two
are fantastic channeling the turns required of their characters—
Russo from angry and alpha to apologetic, fearful and submissive;
and Hudson from genuine and kind to angry and domineering.
Russo gulps up Hudson’s cock, then has his face planted in the
mattress as he gets pinned to the bed.
There’s a far more romantic slant to Nick Capra’s seduction of
houseboy Hunter Page, whose lips look sweet stretched around the
tan hunk’s big cock. Capra wraps his arms around the bottom as
he fucks him from behind, Page arching back for a kiss, their hands
clasped. After resting his head on Matt Stevens’ hairy chest, Sean
Cross strokes him under the sheets as they kiss. Cross soon has
his legs wrapped around the top, toes curled as he moans “Give it
to me!” The finale has hairy Brad Kalvo fucking toys Kory Houston
and Tayveon Martin; it’s the least successful scene, although
Houston runs with the sub role nicely.
— Brady Jansen
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