Page 38 - AVN July 2013

ON THE SET | By Tod Hunter
Straight Inta Brooklyn Director B. Skow: ‘What Do You Want Me to Say?’
I’
ve been to a lot of shoots in a lot of places, but a boarded-up storefront is a new
one. The address matches what I was given but I’m reluctant to knock on the
gated door and ask if there’s a porn shoot going on in there. However, a
cellphone text message to the PA confirms that this is the right boarded-up storefront
and a moment later he opens the door and we walk down a hall to a studio space.
Director B. Skow and I have an Abbott and Costello moment when I ask him the
title of the movie he is shooting, to be released by Girlfriends Films, and he responds,
“What do you want me to say is the title?” I look at him quizzically and he repeats,
“What do you want me to say is the title?” before he shrugs and hands me the day’s call
sheet, which says across the top in bold caps:
WHAT DO YOU WANT ME TO SAY?
Oh. “What Do You Want Me To Say?” is the title. Got it.
In the brightly lit shooting area, Brooklyn Lee stands in front of a bright red wall,
wearing a bright red dress and matching red lipstick. The red wall covering is a satiny
material, patterned like a giant cushion, and in front of it is a settee, upholstered in red,
of course. Michael Vegas stands nearby, in blue, thankfully.
According to the script, Lee is a neglected housewife and Vegas wants to pay
attention to her. Skow sets the scene. “This is just a revenge fuck. Make it fast.” After a
quick set-up dialogue, where Vegas piques Lee’s attention by saying, “He doesn’t deserve
you,” the revenge fuck starts in earnest.
They embrace, kissing, and he backs off to run his hands up her thighs. She pulls
him forward by his T-shirt sleeve, then reaches down to loosen his belt, grabbing his
cock through his pants. He reaches over, pulls down her strapless dress, exposing one
boob. The mood is intense but playful. You do me, I’ll do you. She pulls up his shirt,
kisses his nipple, then starts licking her way down. Lee lies back on the settee, locking
eyes with Vegas, opening his pants without looking. She licks her fingers and starts to
stroke his cock, his raspy breathing the only sound in the room as three camera ops
wielding tiny Canon cameras catch every angle.
Lee sits up, brings her lips to Vegas’ cock, teasingly pulls away, then devours it, slurp-
ing, groaning, deep throating as he gasps. He puts his hands on her back, keeping the
connection (and the camera clear) as he pulls up her dress and removes her G-string. He
pushes her back, kisses his way down to her thigh, then suddenly pulls back and inserts
his cock in her pussy. She reacts, eyes and mouth wide open, at the sudden intrusion
but a moment later he is driving hard into her as he gasps, “Oh my gawd!” She moans
and he kisses her deep hard passionate—a revenge fuck indeed. He pounds into her as
she hisses “Yes yes yes” with each stroke, then covers her mouth with her hand and
screams into it. She pushes him back onto the settee hard and dives onto his cock,
slurping, bobbing, breasts quivering with every stroke before she moves up and kisses
him, still stroking until she straddles him and he inserts again and she puts her feet on
the cushion and bounces on him. All you can see is her back but it doesn’t matter; it’s all
there as he drives up into her.
He stands her up, bends her over and slowly, teasingly inserts, then starts to pick up
speed as she growls with pleasure. I just now notice that her dress never came off and it’s
still there, bunched around her waist. A C-light appears behind them and the sweat
glistens on his back as she whispers “Yes yes yes yes yes oh fuuuuuuuck!” and trembles
through what looks like an orgasm. Maybe it’s real, maybe it isn’t, the camera can’t tell.
“Cum whenever you want,” Skow says from behind one camera and Vegas picks up
the pace. Lee moans as he drives into her and he gasps, “I’m gonna cum” and the
cameras reposition as he does, spewing on her as she holds her pussy wide open. Then
he leans over to kiss her, adding an affectionate grace note to the quickie revenge fuck.
“Good job,” Skow says, and Lee and Vegas smile as they grab towels to dry off and
get ready for the upcoming dialogue scene.
What Do You Want Me to Say? will street later this year. B. Skow’s fourth feature for
Girlfriends Films—Homecoming, featuring Casey Calvert, Presley Hart, Steven St. Croix,
Zoey Holloway, Ralph Long and Michael Vegas—will be released this month.
LIGHTS, CAMERA ...
with each str oke, then c overs her mouth
Geometry of Love: Brooklyn Lee, Claire Robbins and Kurt Lockwood on
the set of B. Skow’s ”What Do You Want Me to Say?” The title is his
fourth feature for Girlfriends Films.
”He pounds into her as she hisses “Yes yes yes”
with her hand and scr eams into it
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